Kasturi Tilakam -- कस्तूरीतिलकं ललाटपटले वक्षःस्थले कौस्तुभं
नासाग्रे नवमौक्तिकं करतले वेणुं करे कङ्कणम् ।
सर्वाङ्गे हरिचन्दनं सुललितं कण्ठे च मुक्तावलिं
गोपस्त्री परिवेष्टितो विजयते गोपाल चूडामणिः ॥ this great sthuthi
my mind was dwelling on this great sthuthi, i finished bath, wiped dried with towel, looked in the mirror .
1 my nose above nostrills --it was round, a little shining,
naasaagre nava moukthikam , i found , it was like pearl .
amazed, it was a clue for peculiar new meaning of this shloka
2 fore head , yes it had a naama like vertical wide line ,
3 on wrist some light wrinkles suggestive of kankanam
4 chest some patch was perceptible
4 body , odor was not their but it was not smelling bad
nothing special for me, all the same familiar look, and if see others, around they too had these features more or less.
what was special is, it got cognized.
extend -----
life sees art, art sees life
when artist sees life the seer/creative designer cognizes nava moukthikam, kankanam, and and designs the ornaments
i felt that this is the root reason for the evolution of ornaments and decorations, --trying to redefine beauty in own terms, and offering back to life to decorate it with them
if you look at fore head 3/4 horizontal lines/marks we see along with/ without vertical
suggestive of vibhoothi on shiva forehead
also lines at ankles suggestive of anklets
the lines at waist like oddaanamu / sarpa/ belt like
lines at finger like, rings.
man is nearest to god , he is evolved being so has all the features of god in some degree
conversely
rishis cognized god in the form of highest human and perceived all the best of features of man and decorated god with them
in any case truths are wonderful and great and sometimes they reveal some times partial
of course it depends on the degree of rishis evolution the degree of cognitions nearer the truth.
some times it can be just an illusion, a surmise, drawing more out of nothing or ordinary, but a charm on its own
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