My spiritual task is to reform myself unmindful of environ,

 

My spiritual task is to reform myself unmindful of environ,

to allow myself grow as ''keechad se kamal.

i shall not wait for perfection to dawn from outside

i reach that ideal thru diving deep within myself ,

I Do what's right being true to myself

experiences come and go. Cognition/knowledge remains’’

 experiences come and go. Cognition/knowledge remains’’

 

...........so it delineates what is valuable and what is not, and takes one out from illusions of spiritual attainments based on ‘’experiences’’, like unusual visions apparitions /images/noises/messages/coincidences, and resultant mixed feelings/emotions leading them to relate with  bhakthi/ista devatha etc , missing  the ‘’Cognition/knowledge’’ they might have/ have not  stumbled up on , hence, resultant glorification of mysticism.

 

‘’That is what I have been telling all along - 'anubhava' is not a 'pramana', it is subjective, differs from person to person, and cannot be passed on.

 

……..…yes, perfectly reasonable, most important to distinguish what to really learn from the great souls, separating the biography[ it may have due place as an inspiration], and person-specific ‘’miracles’’ and only getting at the insights they have gained and expressed, which only can enrich the wisdom  .

 

‘’Knowledge is obtained through Pramana - 'Valid means of knowledge'’’

 

………..yes, for this one himself should be able to gain access to the  field within ie ’’satyam gnyanam anantam 

acting art

 

prior to learning acting, if the actor first attains the state of ''yogastha'', then his life becomes untouched, and his playing the character in a drama also becomes untouched, he may be in tears rolling, but deep in the core he might be experiencing ''no grief '', and hence could convey the bhava

 

the ability to experience and /express /convey the bhava as real as possible , ie nearest to life, indicates the depth of the artist, / sincerity/ devotion to the art,

 

and so i come to a valid conclusion that ..the artist first much reach his depths , thru intense sadhana and get at the cognition of brahman, which is the source of all arts, kalanidhi, and all aesthetics, saundarya, and truth/ authenticity

 

with this initial preparation the first quarter of the life, he turns out to be a great success in every undertaking, like that of singing/ acting.

 

if we see a not so good performance, the reason is that essential tapasya ,  is lacking, so the resultant mediocrity. and cannot move the audience greatly