Chithrasen sang mere to mana me bahathee hai ganga jamunaa yahaa, kaaveree yahaa

Chithrasen sang

mere to mana me bahathee hai ganga
jamunaa yahaa, kaaveree yahaa

evolved souls referred to the internal temple , all along thru the ages
ignorant followers are queueing up at temples,
waiting for hours days, to have a darshan of the great gods

 in the temples
Gurus and moreover Followers who believe that Without visit to Such chaar dham, seekers don't attain moksha..----are all mistaken miserably, they are ignorant , innocent, poor souls , in delusion and illusion ,

 

 they do not know they have to take a dip in the inner gyan sathganga , the pure consciousness,
it is the inner holy sacred theerath one has to visit

adi shankara lamented just exactly on the ways of the ignorant in his verse

 

Gabheeram kaasare vimsathi vijane ghora vapine, 
Vishale shaile cha brahmathi kusumartha jada mathi 
Samarpaikam chetha sarasijamumanatha bhavathe, 
Sukhenawasthathum jana iha na janathi kimaho.     9 
 
Searches and hunts the dim witted one, 
In the deep dark lake, 
In the lonely dangerous forest, 
And in  the broad high mountains 
For a flower to worship thee. 
It is a wonder, 
That these people do not know, 
To offer to you the single lotus, 
From the lake of ones own mind, 
Oh God who is the consort of Uma, 

And be happy at ones own place.  

shankara, in shivananda lahari 98

 shankara, in shivananda lahari 98

Sarvalankara yuktham saralapadayutham sadhu vruttam suvarnam,
Sadbhi samasthuyamanam sarasa gunayutham lakshitham lakshanadyam,
Udyad bhoosha visesha mupa gatha vinayam dyotha manarth rekham,
Kalyanim deva gowri –priya mama kavitha kanyakam twam gruhana.

this sloka has two meanings and could be taken to mean qualities of a girl attributed to the poem or qualities of a poem attributed to the girl.

Qualities of a girl

Oh Lord, darling of Goddess Gowri,
Please accept and marry my poem, which is like a girl,
Who is well made up and ornamented,
Who has a pretty lovable gait,
Who is of very good character,
Who is or pretty attractive colour,
Who is being praised by all good people,
Who has sweet pleasant behavior,
Who is model among girls,
Who possess all ideals,
Who wears glittering ornaments,
Who behaves with decorum,
Who has the line of wealth in her palms,
And who is store house of all that is good.

Qualities of a poem

Oh Lord, darling of Goddess Gowri,
Please accept and marry my poem maid,
Which has good figures of speech,
Which is made up of simple lovable words,
Which has musical meter,
Which shines in well chosen letters,
Which is being praised by intellectuals,
Which has all good qualities,
Which aims at propagating devotion,
Which is a model poem,
Which has attractive phrases,
Which sounds soft and sweet,
Which has glittering and attractive import,
And which grants good to all

Pulling The Rug From Under my feet ‘’?.

 

Pulling The Rug From Under my feet ‘’?.

 ‘’Pulling The Rug From Under my feet ‘’?……….. like sankara in his nirvana satkam ‘’I am not this , i am not this.”……as in his . ‘’ Nirvana Shatakam………………….. …………
……………………………………………………………………………………………………………………

………..all possessions, giving and taking are happening due to some unknown force/s, independent of intentions of giver and taker

……in the case of ocean it is all due to sun / earth’s gravitation…….independent of intentions of sun / earth ……

……giver and taker are just incidental. like tea cup into which tea comes and tea goes out of it

.the filler and sipper of tea is outside ……

….if a man is rich, receiving/earning a lot of money, or losing/ getting robbed…it is just caused due to unknown force/s…..roots of which is unfathomable……doership is all a directed drama,……all are actors on the stage……in the final analysis, there is neither the ocean nor the sun, nor the flow, …neither is there a stage nor drama …nor the actors, ………not even the so called great director!!??……………..cup is thrown off….. stage is blown off ………all just ”use and throw”……vilaya…..pralaya……laya

Nirvana Shatakam
mano buddhi ahankara chittani naaham
na cha shrotravjihve na cha ghraana netre
na cha vyoma bhumir na tejo na vaayuhu
chidananda rupah shivo’ham shivo’ham

I am not the mind, the intellect, the ego or the memory,
I am not the ears, the skin, the nose or the eyes,
I am not space, not earth, not fire, water or wind,
I am the form of consciousness and bliss,
I am the eternal Shiva…

na cha prana sangyo na vai pancha vayuhu
na va sapta dhatur na va pancha koshah
na vak pani-padam na chopastha payu
chidananda rupah shivo’ham shivo’ham

I am not the breath, nor the five elements,
I am not matter, nor the 5 sheaths of consciousness
Nor am I the speech, the hands, or the feet,
I am the form of consciousness and bliss,
I am the eternal Shiva…

na me dvesha ragau na me lobha mohau
na me vai mado naiva matsarya bhavaha
na dharmo na chartho na kamo na mokshaha
chidananda rupah shivo’ham shivo’ham

There is no like or dislike in me, no greed or delusion,
I know not pride or jealousy,
I have no duty, no desire for wealth, lust or liberation,
I am the form of consciousness and bliss,
I am the eternal Shiva…

na punyam na papam na saukhyam na duhkham
na mantro na tirtham na veda na yajnah
aham bhojanam naiva bhojyam na bhokta
chidananda rupah shivo’ham shivo’ham

No virtue or vice, no pleasure or pain,
I need no mantras, no pilgrimage, no scriptures or rituals,
I am not the experienced, nor the experience itself,
I am the form of consciousness and bliss,
I am the eternal Shiva…

na me mrtyu shanka na mejati bhedaha
pita naiva me naiva mataa na janmaha
na bandhur na mitram gurur naiva shishyaha
chidananda rupah shivo’ham shivo’ham

I have no fear of death, no caste or creed,
I have no father, no mother, for I was never born,
I am not a relative, nor a friend, nor a teacher nor a student,
I am the form of consciousness and bliss,
I am the eternal Shiva…

aham nirvikalpo nirakara rupo
vibhut vatcha sarvatra sarvendriyanam
na cha sangatham naiva muktir na meyaha
chidananda rupah shivo’ham shivo’ham

I am devoid of duality, my form is formlessness,
I exist everywhere, pervading all senses,
I am neither attached, neither free nor captive,
I am the form of consciousness and bliss,
I am the eternal Shiva…

Para puja stotram

Para puja stotram - Hindupedia, the Hindu Encyclopedia

Para puja stotram
By Adi Shankara Bhagawat Pada
Translated by P. R. Ramachander

The traditional worship of any deity consists of Dhyana[1], Avahana[2], Asana[3], Padya[4], Arghya[5], Achamaniya[6], Snana[7], Vastra[8], Upavita[9], Patra-Pushpa[10], Gandha[11], Abharana[12], Naivedya[13], Thamboola[14], Dheepa[15], Dhoopa[16], Niranjna[17] and Udvasana[18].
In this great prayer to the God, the poet points out how each one of these is impossible or unjustified while bringing out those great qualities of God.

Akhande sachidanande nirvikalpaika roopini,
Sthithe adwitheeya bhave asmin kadham pooja vidheeyathe 1
 

How do I worship that entity,
Which is limitless and without borders,
Which is full of perennial bliss,
Which has a form that is beyond imagination,
And which stands alone without a second.
 

Poornasya vahanam kuthra sarva dharasya chasanam,
Swachasya padyamarkhyacha sudhasyachachamanm kutha., 2
 

How can I place him at a place,
When he is spread everywhere,
How can I offer him a seat,
When he carries the entire universe,
How can I clean his feet and hands,
When he is the purest of the pure,
How can I offer him a sip of water,
When he himself is the nectar?
 

Nirmalasya kutha snanam, vasthram viswodharasya cha,
Agothraya thwavarnasya kuthasthasyopaveethakam., 3
 

How can I offer him a bath,
When he is the cleanest of the clean,
How can I offer him a dress,
When he has the universe in his belly.
How can I offer him sacred thread,
When he is without colour, creed and caste?
 

Nirlepasya kutho gandha, pushpam nirvasanasya cha,
Nirviseshasya kaa bhoosha, ko alankaro nirakruthe., 4
 

How can I offer sandal paste,
To the one who is beyond application,
How I can I offer fragrant flowers,
When he is beyond smell and scent,
How can I offer him ornaments,
When he is already beyond adjectives,
How can I offer him decoration,
When he does not have any form?
 

Niranchanasya kim dhoopair deepair va sarva sakshina,
Nijanandaika truptasya naivedhyam kim bhavediha., 5
 

How can I offer him a lighted lamp,
When he is the all seeing witness,
How can I offer him the scented smoke,
When he is mixture of all qualities,
How can I offer him sacred offering to eat,
When he is satisfied with eating of nectar?
 

Viswananda pithusthasya kim thamboolam prakalpyathe,
Swayam prakasa chid roopo yo asavarkadhi bhasaka., 6
 

How can I offer him betel leaf and nut,
When he is the one who makes the world happy,
And when he makes the sun and moon shine.,
With his own lustrous self.
 

Pradakshina hyananthasya hyadwayasya kutho nathi,
Veda vakhyair vedhyasya kutha sthothram vidheeyathe., 7
 

How can I offer him circumambulation,
When he is all pervasive and without end,
How can I praise with words of Vedas,
When he himself are the words of the Vedas?
 

Swayam prakasa manasya kutho neerajanam vibho,
Aanthabarhischa poornasya kadamudwasanam bhaveth., 8
 

How can I show the light of Camphor to Him,
When he, himself is self illuminating,
How can I offer him a farewell,
When he is spread inside and outside of everywhere?
 

Evameva para pooja sarvavasthu sarvada,
Ekabudhya thu devese vidheya brahma vithamai., 9
 

Those great masters of the knowledge of Brahma,
Should with single mindedness worship the lord of the Gods,
Using this external worship, always and in all times.

Matha cha Parvathy Devi,

Matha cha Parvathy Devi,
Pitha devo Maheswara,
Bandhava Shiva Bakthamscha,
Swadeso Bhuvana thrayam

My mother is the goddess Parvathy,
My father is the Lord Shiva,
My friends are the devotees of Shiva
And my native place is all the three worlds.

The Shiva manasa pooja

The Shiva manasa pooja 

by Sri Adi Shankaracharya is a unique stotra. 

It in in the form of a prayer by a devotee who imagines in his mind all the offerings and rituals prescribed in a pooja and offers them to lord Shiva with faith and devotion. This stotra is an eye opener to those who are fanatic about rituals as it clearly shows that faith and intentions are more important!

Ratnaih kalpitamaasanam himajalaih snaanam cha divyaambaram
Naanaaratnavibhuushhitam mrigamadaamodaankitam chandanam.
Jaatiichampakabilvapatrarachitam pushhpam cha dhuupam tathaa
Deepam deva dayaanidhe pashupate hritkalpitam grihyataam.h .. 1

I have imagined a throne of precious stones for you, cool water for you to bathe in, divine robes adorned with many jewels, sandalwood paste mixed with musk to anoint your body, jasmine and champaka flowers and bilva leaves, rare incense, and a shining flame. Accept all these which I have imagined in my heart for you, o merciful God.

Sauvarne navaratnakhandarachite paatre ghritam paayasam
Bhakshyam pajnchavidham payodadhiyutam rambhaaphalam paanakam.
Shaakaanaamayutam jalam ruchikaram karpuurakhandojjvalam
Taambuulam manasaa mayaa virachitam bhaktyaa prabho sviikuru .. 2

Sweet rice in a golden bowl inlaid with the nine jewels, the five kinds of food made from milk and curd, bananas, vegetables, sweet water scented with camphor, and betel leaves – I have prepared all these in my mind with devotion. O lord, please accept them.

Chhatram chaamarayoryugam vyajanakam chaadarshakam nirmalam
Veenaabherimridangakaahalakalaa giitam cha nrityam tathaa .
Saashhtaangam pranatih stutirbahuvidhaa hyetatsamastam mayaa Sankalpena
samarpitam tava vibho puujaam grihaana prabho .. 3

A canopy, two yak-tail whisks, a fan and a spotless mirror, a viinaa, kettledrums, a mridangA and a great drum, songs and dancing, full prostrations, and many kinds of hymns – all this I offer you in my imagination. O almighty lord, accept this as my worship of you.

Aatmaa tvam girijaa matih sahacharaah praanaah shariiram griham
Poojaa te vishhayopabhogarachanaa nidraa samaadhisthitih .
Sajnchaarah padayoh pradakshinavidhih stotraani sarvaa giro
Yadyatkarma karomi tattadakhilam shambho tavaaraadhanam.h .. 4

You are my self; Paarvatii is my reason. My five praanaas are your attendants, my body is your house, and all the pleasures of my senses are objects to use for your worship. My sleep is your state of samaadhii. Wherever I walk I am walking around you, everything I say is in praise of you, everything I do is in devotion to you, o benevolent lord!

Karacharana kritam vaakkaayajam karmajam vaa .
Shravananayanajam vaa maanasam vaaparaadham.
Vihitamavihitam vaa sarvametatkshamasva .
Jaya jaya karunaabdhe shriimahaadevashambho .. 5

Whatever sins i have committed with my hands, feet, voice, body, actions, ears, eyes, or mind, whether prohibited by the scriptures or not, please forgive them all. Hail! Hail! O ocean of compassion! O great god! O benevolent lord! .. 5

Bhaja Govindam

Bhaja Govindam

By Sri Adi Sankaracharya (and his disciples)

The Acharya is believed to have composed the Bhajagovindam during his famous pilgrimage to Kashi (Benares).  The fourteen disciples are said to have accompanied him.  The story goes that when he was walking along the streets of Kashi, he was pained to observe an elderly man trying hard to learn Sanskrit grammar.  At his advanced age, the remaining valuable little time of his life should have been used for worshipping the God, instead of wasting on learning a language. This prompted Sri Sankara to burst out this composition, a sort of rebuke to foolish way of living. The Acharya urges the man to turn towards God and sing His glory instead of trying to learn a language.  A censure is implied when the Acharya calls the man a fool (Moodhamathe).  It may be added here that the tone of Bhajagovindam is not at all soft, but somewhat striking, in spite of its exotic poetic beauty and perfection of composition.  This is no wonder, because such a treatment is required to wake up man from his slumber.  A milder approach would delay the matter.  The matter is urgent, as the Acharya explains in the next verse, for, when the hour of death approaches without any forewarning, the hard-learned verses of grammar are not going to save the poor soul.  Hence the song rightly starts without any preamble:

bhajagovindaM bhajagovindaM

govindaM bhajamuuDhamate .

saMpraapte sannihite kaale

nahi nahi rakshati DukRiJNkaraNe .. (1)

   

Worship Govinda, Worship Govinda, Worship Govinda. Oh fool! Rules of Grammar will not save you at the time of your death.

mUDha jahiihi dhanaagamatRishhNaaM

kuru sadbuddhiM manasi vitRishhNaam.

yallabhase nijakarmopaattaM

vittaM tena vinodaya chittam. .. (2)

   

Oh fool ! Give up your thirst to amass wealth, devote your mind to thoughts to the Real. Be content with what comes through actions already performed in the past.

naariistanabhara naabhiideshaM

dRishhTvaa maagaamohaavesham.

etanmaaMsaavasaadi vikaaraM

manasi vichintaya vaaraM vaaram. .. (3)

   

Do not get drowned in delusion by going wild with passions and lust by seeing a woman's navel and chest. These are nothing but a modification of flesh. Do not fail to remember this again and again in your mind.

naliniidalagata jalamatitaralaM

tadvajjiivitamatishayachapalam .

viddhi vyaadhyabhimaanagrastaM

lokaM shokahataM cha samastam .. (4)

   

The life of a man is as uncertain as rain drops trembling on a lotus leaf. Know that the whole world remains a prey to disease, ego and grief.

yaavadvittopaarjana saktaH

staavannija parivaaro raktaH .

pashchaajjiivati jarjara dehe

vaartaaM ko.api na pRichchhati gehe .. (5)

   

So long as a man is fit and able to support his family, see the affection all those around him show. But no one at home cares to even have a word with him when his body totters due to old age.

yaavatpavano nivasati dehe

taavatpRichchhati kushalaM gehe .

gatavati vaayau dehaapaaye

bhaaryaa bibhyati tasminkaaye .. (6)

   

When one is alive, his family members enquire kindly about his welfare. But when the soul departs from the body, even his wife runs away in fear of the corpse.

baalastaavatkriiDaasaktaH

taruNastaavattaruNiisaktaH .

vRiddhastaavachchintaasaktaH

pare brahmaNi ko.api na saktaH .. (7)

   

The childhood is lost by attachment to playfulness. Youth is lost by attachment to woman. Old age passes away by thinking over many past things. But there is hardly anyone who wants to be lost in parabrahmam.

kaate kaantaa kaste putraH

saMsaaro.ayamatiiva vichitraH .

kasya tvaM kaH kuta aayaataH

tattvaM chintaya tadiha bhraataH .. (8)

   

Who is your wife ? Who is your son ? Strange is this samsara. Of whom are you ? From where have you come ? Brother, ponder over these truths here.

satsaNgatve nissN^gatvaM

nissaNgatve nirmohatvam.h .

nirmohatve nishchalatattvaM

nishcalatattve jiivanmuktiH .. (9)

   

From Satsangh comes non-attachment, from non-attachment comes freedom from delusion, which leads to self-settledness. From self-settledness comes Jeevan Mukti.

vayasigate kaH kaamavikaaraH

shushhke niire kaH kaasaaraH .

kshiiNevitte kaH parivaaraH

GYaate tattve kaH saMsaaraH .. (10)

   

What good is lust when youth has fled ? What use is a lake which has no water ? Where are the relatives when wealth is gone ? Where is samsara when the Truth is known ?

maa kuru dhana jana yauvana garvaM

harati nimeshhaatkaalaH sarvam.h .

maayaamayamidamakhilaM hitvaa

brahmapadaM tvaM pravisha viditvaa .. (11)

   

Do not boast of wealth, friends, and youth. Each one of these are destroyed within a minute. Free yourself from the illusion of the world of Maya and attain the timeless Truth.

dinayaaminyau saayaM praataH

shishiravasantau punaraayaataH .

kaalaH kriiDati gachchhatyaayuH

tadapi na muJNcatyaashaavaayuH .. (12)

   

Daylight and darkness, dusk and dawn, winter and springtime come and go. Time plays and life ebbs away. But the storm of desire never leaves.

dvaadashamaJNjarikaabhirasheshhaH

kathito vaiyaakaraNasyaishhaH .

upadesho bhuudvidyaanipuNaiH

shriimachchhankarabhagavachchharaNariH .. (12a)

   

This bouquet of twelve verses was imparted to a grammarian by the all-knowing Shankara, adored as the bhagavadpada.

kaate kaantaa dhana gatachintaa

vaatula kiM tava naasti niyantaa .

trijagati sajjanasaM gatiraikaa

bhavati bhavaarNavataraNe naukaa .. (13)

   

Oh mad man ! Why this engrossment in thoughts of wealth ? Is there no one to guide you ? There is only one thing in three worlds that can save you from the ocean from samsara. Get into that boat of satsangha quickly. Stanza attributed to Padmapada.

jaTilo muNDii luJNchhitakeshaH

kaashhaayaambarabahukRitaveshhaH .

pashyannapi cana pashyati muuDhaH

udaranimittaM bahukRitaveshhaH .. (14)

   

There are many who go with matted locks, many who have clean shaven heads, many whose hairs have been plucked out; some are clothed in saffron, yet others in various colors --- all just for a livelihood. Seeing truth revealed before them, still the foolish ones see it not. Stanza attributed to Totakacharya.

aNgaM galitaM palitaM muNDaM

dashanavihiinaM jataM tuNDam.

vRiddho yaati gRihiitvaa daNDaM

tadapi na muJNcatyaashaapiNDam.. (15)

   

Strength has left the old man's body; his head has become bald, his gums toothless and leaning on crutches. Even then the attachment is strong and he clings firmly to fruitless desires. Stanza attributed to Hastamalaka.

agre vahniH pRishhThebhaanuH

raatrau chubukasamarpitajaanuH .

karatalabhikshastarutalavaasaH

tadapi na muJNcatyaashaapaashaH .. (16)

   

Behold there lies the man who sits warming up his body with the fire in front and the sun at the back; at night he curls up the body to keep out of the cold; he eats his beggar's food from the bowl of his hand and sleeps beneath the tree. Still in his heart, he is a wretched puppet at the hands of passions. Stanza attributed to Subodha.

kurute gaNgaasaagaragamanaM

vrataparipaalanamathavaa daanam.h .

GYaanavihinaH sarvamatena

muktiM na bhajati janmashatena .. (17)

   

One may go to gangasagar(ganes), observe fasts, and give away riches in charity ! Yet, devoid of jnana, nothing can give mukthi even at the end of a hundred births. Stanza attributed to Sureshwaracharya.

sura ma.ndira taru muula nivaasaH

shayyaa bhuutala majinaM vaasaH .

sarva parigraha bhoga tyaagaH

kasya sukhaM na karoti viraagaH .. (18)

   

Take your residence in a temple or below a tree, wear the deerskin for the dress, and sleep with mother earth as your bed. Give up all attachments and renounce all comforts. Blessed with such vairagya, could any fail to be content ? Stanza attributed to Nityananda.

yogarato vaabhogaratovaa

saN^garato vaa saNgaviihinaH .

yasya brahmaNi ramate chittaM

nandati nandati nandatyeva .. (19)

   

One may take delight in yoga or bhoga, may have attachment or detachment. But only he whose mind steadily delights in Brahman enjoys bliss, no one else. Stanza attributed to Anandagiri.

bhagavad.h giitaa kiJNchidadhiitaa

gaNgaa jalalava kaNikaapiitaa .

sakRidapi yena muraari samarchaa

kriyate tasya yamena na charchaa .. (20)

   

Let a man read but a little from Gitaa, drink just a drop of water from the ganges, worship murari (govinda) just once. He then will have no altercation with Yama.Stanza attributed to dR^iDhabhakta.

punarapi jananaM punarapi maraNaM

punarapi jananii jaThare shayanam.h .

iha saMsaare bahudustaare

kRipayaa.apaare paahi muraare .. (21)

   

Born again, death again, birth again to stay in the mother's womb ! It is indeed hard to cross this boundless ocean of samsara. Oh Murari ! Redeem me through Thy mercy. Stanza attributed to Nityanatha.

rathyaa charpaTa virachita kanthaH

puNyaapuNya vivarjita panthaH .

yogii yoganiyojita chitto

ramate baalonmattavadeva .. (22)

   

There is no shortage of clothing for a monk so long as there are rags cast off the road. Freed from vice and virtue, onward he wanders. One who lives in communion with God enjoys bliss, pure and uncontaminated, like a child and as someone intoxicated. Stanza attributed to Nityanatha.

kastvaM ko.ahaM kuta aayaataH

kaa me jananii ko me taataH .

iti paribhaavaya sarvamasaaram.h

vishvaM tyaktvaa svapna vichaaram.h .. (23)

   

Who are you ? Who am I ? From where do I come ? Who is my mother, who is my father ? Ponder thus, look at everything as essenceless and give up the world as an idle dream. Stanza attributed to surendra.

tvayi mayi chaanyatraiko vishhNuH

vyarthaM kupyasi mayyasahishhNuH .

bhava samachittaH sarvatra tvaM

vaaJNchhasyachiraadyadi vishhNutvam.h .. (24)

   

In me, in you and in everything, none but the same Vishnu dwells. Your anger and impatience is meaningless. If you wish to attain the status of Vishnu soon, have samabhava always. Stanza attributed to medhaatithira.

shatrau mitre putre bandhau

maa kuru yatnaM vigrahasandhau .

sarvasminnapi pashyaatmaanaM

sarvatrotsRija bhedaaGYaanam.h .. (25)

   

Do not waste your efforts to win the love of or to fight against friend and foe, children and relatives. See yourself in everyone and give up all feelings of duality completely. Stanza attributed to medhaatithira.

kaamaM krodhaM lobhaM mohaM

tyaktvaa.atmaanaM bhaavaya ko.aham.h .

aatmaGYaana vihiinaa muuDhaaH

te pachyante narakaniguuDhaaH .. (26)

   

Give up lust, anger, infatuation, and greed. Ponder over your real nature. Fools are they who are blind to the Self. Cast into hell they suffer there endlessly. Stanza attributed to bharativamsha.

geyaM giitaa naama sahasraM

dhyeyaM shriipati ruupamajasram .

neyaM sajjana saNge chittaM

deyaM diinajanaaya cha vittam. .. (27)

   

Regularly recite from the Gita, meditate on Vishnu [thro' Vishnu sahasranama] in your heart, and chant His thousand glories. Take delight to be with the noble and the holy. Distribute your wealth in charity to the poor and the needy. Stanza attributed to sumatira.

sukhataH kriyate raamaabhogaH

pashchaaddhanta shariire rogaH .

yadyapi loke maraNaM sharaNaM

tadapi na muJNchati paapaacharaNam.h .. (28)

   

He who yields to lust for pleasure leaves his body a prey to disease. Though death brings an end to everything, man does not give up the sinful path.

arthamanarthaM bhaavaya nityaM

naastitataH sukhaleshaH satyam.

putraadapi dhana bhaajaaM bhiitiH

sarvatraishhaa vihiaa riitiH .. (29)

   

Wealth is not welfare, truly there is no joy in it. Reflect thus at all times. A rich man fears even his own son. This is the way of wealth everywhere.

praaNaayaamaM pratyaahaaraM

nityaanitya vivekavichaaram.

jaapyasameta samaadhividhaanaM

kurvavadhaanaM mahadavadhaanam .. (30)

   

Regulate the pranas, remain unaffected by external influences and discriminate between the real and the fleeting. Chant the holy name of God and silence the turbulent mind. Perform these with care, with extreme care.

gurucharaNaambuja nirbhara bhakataH

saMsaaraadachiraadbhava muktaH .

sendriyamaanasa niyamaadevaM

drakshyasi nija hR^idayasthaM devam. .. (31)

   

Oh devotee of the lotus feet of the Guru ! May thou be soon free from Samsara. Through disciplined senses and controlled mind, thou shalt come to experience the Indwelling Lord of your heart !

muuDhaH kashchana vaiyaakaraNo

DukRiJNkaraNaadhyayana dhuriNaH .

shriimachchhamkara bhagavachchhishhyai

bodhita aasichchhodhitakaraNaH .. (32)

   

Thus was a silly grammarian lost in rules cleansed of his narrow vision and shown the Light by Shankara's apostles.

bhajagovindaM bhajagovindaM

govindaM bhajamuuDhamate .

naamasmaraNaadanyamupaayaM

nahi pashyaamo bhavataraNe .. (33)

   

Worship Govinda, worship Govinda, worship Govinda, Oh fool ! Other than chanting the Lord's names, there is no other way to cross the life's ocean.