Sathyam sivam sndaram is the brahma suthra that underlies the creation of beauty truth=like in geometry,  st line is really straight without deviation, , circle is really defect free circles,  sphere is really spherical without depressions and elevations similarly , when things are expressed in true way they are beautiful, sundaram, and they are good sivam There are so many detailed principles,  like symmetry , mirror symmetry, , two/three axis symmetry--this is on visual ,  similarly on sound, smell, taste, touch, --constituting whole beauty god is the most beautiful, conforming super symmetry See wiky pedia hoggards principles of beauty beauty of sound is music, with thaletc beauty of movement is dance, gods are good at sangeeth---gayan vaadan, naachan

The greater the artist, great is his art, effortlessly he expresses. his expression conforms to brahma suthra effortless, masterpieces are the result, of paint, sculpture, music, speech, poetry, --all have basic principles underlying which make them good and appealing valuable

If artist does not have depth , without sadhana, his efforts are just useless, may be he is most modern with best of medium and best material or best theme
My evaluation does not stop at physical level, i look for the essence that conveys to me, i look for the awakening it triggers in me , whether it leads me in to my own depth, and get to the heart of the artist inside me. this criteria is very high and very few stand my expectations

  

hogarth's 1 beauty -six principles

By : Vasantharao Dusthakar on May 25, 2011 | Views (6) | Post response

beauty2

quote
Six Principles--the principles of beauty
In The Analysis of Beauty Hogarth implements six principles, which independently affect beauty. Although he concurs that those principles have an effect, he is not determinate on their specific influence.
1 The first principle of beauty Hogarth describes isfitness, which is not in itself a source of beauty, but can be described as a material cause of it. Though the account of fitness on the total beauty of an object is only moderate, it is a necessary cause. Fitness does not necessarily imply purpose. However, improperly implied forms cannot be the source of beauty. It is in this that the necessity of fitness must be seen: if not accounted for, a form cannot readily be assumed beautiful.
2 The second major principle of beauty is variety. It is the source of beauty, which Hogarth shows us by the contrary notion of "sameness":
"sameness", a lack of variety, offends the senses. "The ear is as much offended with one even continued note, as the eye is with being fix'd to a point, at the the view of a dead wall."
In contrast, our senses find relief in discovering a certain amount of "sameness" within a varietal experience.
3 The third notion of regularity is understood as a form of "composed variety": it only pleases us when it is suggestive to fitness.
4 Similar to this notion in effect is simplicity, which enhances the pleasure of variety in that it pleases the eye. The variety which causes a beautiful experience should, so to speak, be tempered by simplicity. On the other hand: simplicity without variety at best does only not displease.
5 Intricacy is a strange principle in that it does not directly follow from the formal behaviour of a beautiful object. Hogarth means by this the habit which causes us end up in the whirling game of pursuit, when bit by bit discovering the beauty of an object. Intricacy arises from the love of this pursuit. Every difficulty in understanding or grasping the object enhances the pleasure of overcoming it, in order to continue the pursuit. There is a direct connection here to the Line of BeautyHogarth dictates, along which every image is built up. Though the movement of our eye is discrete in itself, the movement of our "Mind's eye" follows a duplicate course of the line, a principal ray of light moving along with the line of sight. The continuous movement of our "Mind's eye" triggers the notion of intricacy.
6 Quantity, finally, is associated with the notion of the sublime which, when Hogarth's book appeared, was not yet entirely distinguished from the apprehension of beauty. Hogarth thus does not speak of sublimity, but of greatness. He recognizes a great quan****y to have an aesthetic effect on the beholder without the necessity of a varietal or fitting form. This should not be exaggerated, as that might lead to absurdities.unquote

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Hogarth's 1 beauty -six principles | SpeakingTree

 The beauty of persons exist in different | Faith And Rituals Blog on Speakingtree.inThe beauty exists in different people in different modes

physical, mental, spiritual 
some may be good looking,

some may be good writers, poets,

some may be great godmen like sai

 
nothing wrong in seeing all beauty .

since beauty attracts .
 

some blogs are dull, will not be seen even if pm sent
some others receive attention, without receive of pm , why

  

Sathyam shivam sundaram is the brahma suthra that underlies the creation of beauty

truth=like in geometry, st line is really straight without deviation, , circle is really defect free circles, sphere is really spherical without depressions and elevations
similarly ,

when things are expressed in true way they are beautiful, sundaram, and they are good shivam

There are so many detailed principles, like symmetry, mirror symmetry, , two/three axis symmetry--this is on visual ,

similarly on sound, smell, taste, touch, --constituting whole beauty
god is the most beautiful, conforming super symmetry

See wiky pedia hoggards principles of beauty

beauty of sound is music, with thal etc

beauty of movement is dance, 

gods are good at sangeeth---gayan vaadan, naachan 

The greater the artist, great is his art,

effortlessly he expresses. 

his expression conforms to brahma suthra effortless, 
masterpieces are the result, of paint, sculpture, music, speech, poetry, 

--all have basic principles underlying which make them good and appealing valuableREPLYDELETE

If artist does not have depth, without sadhana, his efforts are just useless, 

may be he is most modern with best of medium and best material or best theme

My evaluation does not stop at physical level, 

i look for the essence that conveys to me, 
i look for the awakening it triggers in me , 
whether it leads me in to my own depth,
and get to the heart of the artist inside me.

this criteria is very high and very few stand my expectations

 

Beggars

on mundane plane, some are driven to this line due to circumstances.
a beggar is a sign that there is cheating/exploitation in society--of weakness/ignorance/--lack of love, resulting in negligence, indifference to suffering.. let us help not in coins, but currency of 10 /100 just casually ,unnoticed, lighten our hearts

2 on spiritual plane beggar is god, bhikshapathi, vidyarthi is supposed to pay his due to guru by begging, we must thank the beggar for being there to accept our alms, and arrange blessings of god-- give generously, thanking him , with due respect and regards, and thanking god that we are not the beggars.

3 we are beggars to god, he made us so , lest we be arrogant towards him

 god in my innermost speaks thus

me why to come out ?
let me come out only in utter need,
unless it is a must, why to waste my resources of sath chith anada?
world, universe runs on its own, as per its own laws.
if i have to come out, it is only to restore the laws
that are damaged if at all
i am un involved witness, ever established in the depths of my consciousness
i have defined every thing , perfectly, unambiguously, clearly. no confusion, no concessions, no mistakes,
i have programmed every thing, including calamities, good and bad, with perfect understanding and deliberate intension, nothing is accidental, nothing is outside my sight
if any one is happy or unhappy it is my own intention,as a result of laws of the universe operating,inspite of me,and because of me

  bhagavan says

if you want to talk to me

in my office, meet me,

meet me direct

agents may misdirect

i am there seated in my office,

in the depth of your consciousness

meet me at my own level,

observing right protocol

go your inward track,

by any knack

open is my door,

i am there now , ever and before

my working hours,

all twenty four, yours

for me no holiday

every day a holy day

i remain truly yours

for an early meeting of ours