Karmayogi=workaholic

  Jealousy--is the cognition that my existing level is not adequate and i need to reach far higher level than my friends, and propels me to immediately launch upon a program of self improvement , to make up all my deficiency .if i am not jealous, i stay flat and fall dead, jealosy makes me to write a better post better blog more original, more nearer the truth than others bet perceptions

     nama roopa , after tm, i was just thinking of grapes, with eyes closed.

immediately my whole being , my consciousness became as if it is grape stuff, soft, juicy, cool, sweet

I was as if I was within the grape, my mental tongue was  tasting and enjoying the grape stuff, the tongue was also feeling the seeds here and there. .i knew that this is not some mental creation, or imagination, but is a result of transformation my pure consciousness has undergone. I was delighted and enjoyed this experience which lasted for a minute or so.

Referring to maharishi’s hypothesis on the possibility of curing disorders by making use of name of the medicine alone,,, not using it actually 

----i relate this tm sidhi experience with it , and feel yes it is possible

   Devil

In destructive testing, tests are carried out to check the specimen's failure, in order to understand a specimen's structural performance or material behavior under different loads. These tests are generally much easier to carry out, yield more information, and are easier to interpret than nondestructive testing.

Destructive testing is most suitable, and economic, for objects which will be mass produced, as the cost of destroying a small number of specimens is negligible. It is usually not economical to do destructive testing where only one or very few items are to be produced (for example, in the case of a building).

Some types of destructive testing:

• Stress tests

• Crash tests

• Hardness tests

• Metallographic tests

…….saitan, devil, rakshasaas , ---these are the tools in the In destructive testing, in the big lab of universe, to help to see the viability of products to with stand various adverse environs, and test results are used to redesign to improve the products

all is well set, with enough thought and intentions, not by mistake, but by need , we need to expand our vision to an all accepting, all inclusive divine vision to see the role of every bit in the totality

     divine dance --what how why when where happens 

dance is a great subject, great in depth, intricate in detail, great in tradition, great artists flourished, great gharanas, lines like bharath,kuchipudi, kathak, ..countless, including the folk dances evolved.

requires rigorous discipline and sustained practice

an able artist sways the audience spell bound

blessed are the dancers and dance masters

however, routinely, dancing expertly, the best dance artist on the stage, entertains audience, his mind with concern on the accuracy,  to some extent the  response, the claps, and also justifiably on  the awards rewards, also some publicity...one deserves

this all is good, welcome , this being on the earth plane

but some thing more,,,,,,,

what is divine dance

it's not action or inaction 

it's silence in action

.In the high state of purity, one gains the ability to express things cognized in other lokas, which can not be expressed and communicated fully in words--but need the accurate body language abhinaya, mudra, bhangima,

supposing one enters vishnu loka and experiences the presence of lakshmi, that experience is a cognition --

how she is , her face, her standing, her sitting, her hands, her palms, her movements---all these requires a much higher vocabulary of body language , 

it can be conveyed thru body language only -

and the state of divinity in which lakshmi is can be conveyed only in that state thru energies activating the relevant nerves to express those details

divine dance ----differs from usual dance forms including classical/traditional/modern----

differs from drill / exercise/ physical fitness movements/ routine day to day movements of limbs, organs

not necessarily in conformity with  natya shasthras or suthras ,

it goes beyond the usual definition of granthas

nor result of rigorous practice of dance lessons

if it appears to conform to any rules, it is incidental, but in its manifestation, the rules of dance are cognized and they become the guide

where it happens

essentially divine dance is an experience of existence in higher lokas, while one may be in any loka, including manava loka

supreme is his audience, his reward

how

we should understand most fundamental of how achara becomes chara, how  non moving starts moving 

how silence manifests as activity, where is its starting point

consciousness has infinite potential --potential energy--sath---has possibility to express in infinite ways in infinite channels

human , being a product of that creative intelligence, has infinite potential to receive and express the creativity. 

due to non use or limited use / not knowing how to use the full potential, that energy gets displayed only in routine, but very few channels. 

to enable full flow,  the channels of the system, ie the system of body mind nervous system has to be pure.

as the system gains purity, more channels get opened up and new expressions come out

why it happens

divine dance is a result of purification , the expression flowing in novel ways thru new channels,  creative intelligence expressing itself in the best possible way, with least effort and no resistance, from  imposition 

the contact with source never lost, the silence , the nonaction pervading the action, dance continues

when

key condition being the purity of the system, it happens at any stage, but manifesting in beauty, novelty, intensity in proportionate to the potential energy gained in purity

at any time in the day/night in any season but in tune with nature, creating some times  its own environ

did you witness

1 recalling one ''balanjaneya'' in kasapuram, guntakal, ap known for anjaneya temple---a young man in twenties--with long hair wearing a just a langoti, --used to stray around, attends harathi , takes little prasad and vanishes---appears during night  bhajans --dances , does not know what when how he does it--as if hanuman is dancing with ecstasy--mind in the other world----not all----suddenly he jumps like a monkey to the temple roof top --ordinary man cannot do that---even he cannot when on earth plane ---goes up on the gopuram dances there comes down --now goes to a nearby tree swiftly climbs up and on the top branch sits and swings to the tune, comes down --again  is in the bhajan  his eyes semi closed appearing as if a perverted--evokes awe respect

during his normal state he just smiles, does not talk much and is sober like any

2 not in such intensity, yet a little nearer to this , is what  dances devotees do in bhjans in sathsangs

3 nearer experience one gains as part of training in the courses, dancing along with the participants

4 typically, in our ssy/amc, at ravirala, hyd, a participant attracted attention for his graceful walk in doing his normal movements . one asked '' are you a dancer?'' he surprised and said’ no'' and went about his work, with the same charming movements, innocently . i remember even now,

late i came to know that he is a long time meditator

5 full import is possible in the state of transcendence in the advanced stage of sadhana, when system is in unruffled silence in the vigorous activity, freed from inhibitions

the system when becomes refined to a great degree, it becomes ready to explore devaloka or any such higher lokas depending on the level of refinement. 

in other words, gods will visit ,  his system has become a holy / worthy for their entry and presence

it can also be understood as --- that he is ready to do/ in a state to do  aavaahan / invocation to devi devathas 

corollary is---in this state, he takes the name /manthra/ sthothra of a devatha---which are live links, in fact, and gains access to that loka and to the presence of devatha, devatha is pleased, gives a few of his powers/ qualities to him , his personality is charged with those qualities, and now , ---he has become that devatha in human form--but not in the same mahima, but with say 0.001% of the total mahima

6 in our spiritually rich country, one must have witnessed several examples of such ---including in our homes or in villages, in festivals / pujas,/ drum beats --some one starts behaving peculiarly, moving, shaking, talking illegibly, but surely he is under the spell of some devatha

unknowing the science behind , one grossly undervalues such things, --it is a pity---and we do every thing in the name of spirituality--pooja etc, but devatha is ignored ritual only is cared.

we are good at modern science and are convinced on being rational--not knowing the true rationality behind such phenomena

whereas every ritual pooja, vratha, theertha, yathra, sravan, manan, --all aimed rising to higher lokas and get the grace of devathas, ---it all demands the basis of purity of the system, ---and we do everything except attending to how to raise the purity level.

hence the reality of devi devathas is not really comprehended--hence a world is lost---and things have become mechanical including the  dances--with only entertainment value   , arts serving commercialism, for name fame, wealth, losing pitiably the noble track of leading to the entry in to higher lokas, 

and lokas are non existing for many, remaining mythology myth worth reading and watching in the tv/movie/media

7 i recall one bhaktha,  male, he was in the state of radha and was after kishan like radha, his gestures, his words his prayer all in the bliss of radha experiencing the love for krishna some might have seen this in tv long back 

can any one do

key is purity

meditation is the shortest way to gain 

meditate,  things follow

no matter, one is illiterate 

or an expert pandit, 

not necessary to know great scriptures 

or detailed procedures, 

irrespective of biodata or label, everyone has opportunity to grow in purity and thus be eligible to enter the world of gods and angels, and be singing and dancing with them

but let's remember , devalok is only an intermediate station for break-journey on the way to the eternal abode the parandham

as sadhana matures, one gains the ability , to easily go to the ultimate and come back to the earth plane easily, and to be in any loka in between for just the pleasure and fun of it, as per one's wish, like an expert artist , a musician for eg to play any raga once he knows the full range of swaras and practices on the keys initially

ultimate

all this write up is to say my one favorite point----

in the highest state of sadhana every movement is divine dance, every posture a divine mudra, every utterence a kaavya, every tune a raga, every step a thaala  exuding grace , filling the environ with bliss

  Self realization leads to simplest living 

simplest living results in honesty spontaneously , 
as need for dishonesty doesn't exist
I be simplest 
let all be any

God    Elephant

Once a master and his disciples were gathered in the jungles of India.

The Master had been teaching his disciples: "Everyone is God, everything is God

and we should bow down to God in everyone and everything".

Now, the next day, when the disciples were out in the jungle gathering fruit for their meals,

off in the distance was heard the bellowing, trumpeting and crashing of a great bull Elephant,wild with rage;

And, all of a sudden,he was crashing through the jungle precisely in the direction of the assembled group of disciples.

The Mahout,(the man who rides the elephant) was shouting to all in front of him,

"Get out of the way! Get out of the way! The elephant is mad!"

Seeing the approaching terror, all of the disciples began to run, except for one;

He remembered the Master's words,

"God is in everyone and everything and we should bow down to God in everyone and everything."

The elephant was thundering towards him

and the Mahout was shouting for him to get out of the way,

but,

remembering his Masters words, he bowed down to the approaching elephant.

The elephant, plunged towards him,

picked him up with his trunk,

smashed him to the side

and thundered on through the jungle.

The disciples came back after the elephant had gone and finding him unconscious they brought him to the Master.

When he came to his senses, he was given tea

and then the Master asked him :

"Why did you not run away?"

The devotee replied,

"Master, you yourself had said that God was in everyone and everything

and to bow down to God in everyone and everything.

I have simply followed your words".

The Master replied:

"It is true, God is in everyone and everything.

There is God in the Elephant,

but,

there is God in the Mahout too,

and the Mahout said;

'Get out of the way'."