prior to learning acting, if the actor first attains the
state of ''yogastha'', then his life becomes untouched, and his playing the
character in a drama also becomes untouched, he may be in tears rolling, but
deep in the core he might be experiencing ''no grief '', and hence could convey
the bhava
the ability to experience and /express /convey the bhava as
real as possible , ie nearest to life, indicates the depth of the artist, /
sincerity/ devotion to the art,
and so i come to a valid conclusion that ..the artist first
much reach his depths , thru intense sadhana and get at the cognition of
brahman, which is the source of all arts, kalanidhi, and all aesthetics,
saundarya, and truth/ authenticity
with this initial preparation the first quarter of the
life, he turns out to be a great success in every undertaking, like that of
singing/ acting.
if we see a not so good performance, the reason is that
essential tapasya , is lacking, so the
resultant mediocrity. and cannot move the audience greatly
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