navo navo bhavati jāyamānohnāṅketur uṣasāṃ etyagram |
bhāgandevebhyovidadhātyāyan pracandramā stirate dīrgham āyuḥ || ṛ. ve.10.85.19
Rishi Vasanth Brahmachari
Baalaanaam rodhanam bhalam Blog by Sanskrit Rvlh" Baalaanaam rodhanam bhalam " Crying is... - Brahmin Culture and Tradition | FacebookAjay Bhargavanposted toBrahmin Culture and Tradition
October 10, 2012 at 1:17am near Bangalore, Karnataka ·
" Baalaanaam rodhanam bhalam " Crying is children's strength...
You would have heard this popular saying. Crying is the way that babies signal they need something.
In the olden days, in big families, children had to cry to draw the attention of elders to get their feed. Now they cry less as the feed comes before they ask for and in fact it is their parents who cry if the kids delay in drinking milk, as they are in a hurry to push them to take-care or pre-school before rushing to their work place!.
Anyway, here is the complete verse:
Paksheenaam Balam Aakaasam,
Matsyaanam Udakam Balam,
Durbalasya Balam Raaja,
Baalaanaam Rodanam Balam.
Sky is the strength for birds, udakam (water) is the strength of fish, king is the strength of the weak and crying is the strength of kids.
The author didn't have in mind ducks, penguins or other sea birds and it was a general statement on the importance of the sky for the birds.
Similarly being used to the exploitation of the weak by the present rulers, we should not shout at the poet for his statement that the king was the support for the weak . Those days, the weak could depend on their king (ruler) for support. The king was respected as he worked for the well being of his subjects. Good kings were treated as the head of each household that Kalidas went to the extent of taking advantage of his poetic liberty to say that the real father of the subjects was the king and the biological fathers were only instruments for their birth.
'Prajaanam vinayaadaanam rakshanam baranaathapi,
sa pitha, pithara thraasa kevalam jenmahethava'
It was the king by virtue of governing the subjects and receiving their respect, their real father and the other fathers were 'Kevalam janma haethava'.
The Mahakavi was glorifying Dilipa, the first king in the Raghu Dynasty.
If someone says so about our present rulers, imagine the sorry plight he will land in !
If the weak explodes and one day they will, the earth will tremble and the ruler will tumble. It is going to happen soon in our country.
The King of Vraja, i.e. Nanda Maharaja". ... Vrajaraja. It means “The King of Vraja, i.e. Nanda Maharaja”.
Shri Vraja-Raja-Sutashtakam
An ancient prayer by an unknown Vaishnava author
nava-nirada-nindita-kanti-dharam
rasa-sagara-nagara-bhupa-varam
shubha-vankima-caru-shikhanda-shikham
bhaja krishna-nidhim vraja-raja-sutam (1)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! His complexion is more effulgent than a fresh raincloud; He is the king of
paramours and the ocean of rasa; His crown is adorned with a lovely peacock feather
auspiciously tilted to the left (bowing towards Shri Radha’s feet).
bhru-vishankita-vankima-shakra-dhanum
mukha-candra-vinindita-koti-vidhum
mridu-manda-suhasya-subhashya-yutam
bhaja krishna-nidhim vraja-raja-sutam (2)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! His arched eyebrows belittle the rainbow (the bow of Indra); His pure moonlike
face, which dwarfs millions of moons, is adorned with an enchanting soft smile and fine
speech.
suvikampad-ananga-sad-anga-dharam
vraja-vasi-manohara-vesha-karam
bhrisha-lanchita-nila-saroja drisham
bhaja krishna-nidhim vraja-raja-sutam (3)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! (Cupid’s body was burned by the anger of Lord Shiva, but) Krisna’s trembling
form is the true body of Cupid; He dresses enchantingly in a way that fascinates the
Vrajavasis; He is adorned with extraordinary eyes like blue lotus blossoms.
alakavali-mandita-bhala-tatam
shruti-dolita-makara-kundalakam
kati-veshtita-pita-patam sudhatam
bhaja krishna-nidhim vraja-raja-sutam (4)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! His forehead is surrounded by curling locks of hair; swaying makara-shaped
earrings dangle from His ears; His waist is adorned with meticulously
arranged yellow silk which embraces His charming hips.
kala-nupura-rajita-caru-padam
mani-ranjita-ganjita-bhringa-madam
dhvaja-vajra-jhashankita-pada-yugam
bhaja krishna-nidhim vraja-raja-sutam (5)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! Tinkling anklebells resound on His beautiful feet; He glows with jeweled
ornaments; His spirited behavior mocks the intoxication of honey bees; His soles are
marked with the flag, thunderbolt, fish and other charming symbols.
bhrisha-candana-carcita-caru-tanum
mani-kaustubha-garhita-bhanu-tanum
vraja-bala-shiromani-rupa-dhritam
bhaja krishna-nidhim vraja-raja-sutam (6)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! His graceful body is generously smeared with sandalwood paste; His glowing
Kaustubha gem overshadows the sun; He has appeared as the crown jewel among the
young boys of Vraja.
sura-vrinda-suvandya-mukunda-harim
sura-natha-shiromani-sarva-gurum
giridhari-murari-purari-param
bhaja krishna-nidhim vraja-raja-sutam (7)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! He is the Supreme Lord Hari, Mukunda, who is worshiped by all the demigods
and sages; He is the crest-jewel of all controllers and the guru of all beings; He is the
lifter of Giri-Govardhana, the killer of the Mura demon and the master of Lord Shiva.
vrishabhanu-suta-vara-keli-param
rasa-raja-shiromani-vesha-dharam
jagad-ishvaram-ishvaram-idya-varam
bhaja krishna-nidhim vraja-raja-sutam (8)
Just worship Shri Krishna, the son of the king of Vraja, who is a treasure-house of priceless
jewels! He is dedicated to amorous escapades with the daughter of Vrishabhanu Maharaja,
impeccably dressing as the king of enjoyers of rasa; He is the supreme monarch and
the most worshipable Lord of the entire creation.
nitaaiveda.com/Compiled_and_Imp_Scriptures/Vaishnava_Song_Book/Sanskrit_Songs/Sri_Vraja-Raja-Sutastakam.htm
navo navo bhavathi
world has seen enough events
though history repeats,it repeats in new versions, time, place, context, pretext,
backdrop being always of contemporary in the present
heritages, hermitages are things of past
tallest concrete sky scrapers competing with mountain temples and minars
swimming pools drowning the old wells
Adaptability, adoptability is a most wanted ability,
as against the rigidity, inflexibility, inability
against inevitable oddity of
newness,freshness,in blossoming beauty
Soulful, beautiful creativity conquering the relativity
penetrating the absolute, the eternity
love uniting all fraternity
reveling in repartee
in universe's grand party"
Strictures are violated
scriptures are obsoleted,
impositions are obstructed
new alphabets are invented
new words are injected
new poetry dawns
new history spans
old world gets annihilated
new world is created
It's a continuous process of
observation, absorption, digestion,
renovation, innovation, implementation,
refinement, experimentation,
adventure, discovery, mastery
eventual perfection
unending flow till reaching the unlimited expansionNavonavo Bhavathi
Ego is a driving force Blog by Meena Omit is a help, it is a great service , a responsible parent -function to be analyzing others whether they live up to our expectations or not, resist to control situations, correcting others mistakes and advising and instructing others........if parents, elders, gurus do not do that function, there is no scope for character growth.......the modern youth is landing in troubles due to elders not paying the attention adequately...........for example, bike racing, drunk and drive are increasing causingaccidents anddeaths....so a check is always necessary, things should not be allowed to go unchecked.
Allegory is what,how,why,when
Allegory is a device used to present an idea, principle or meaning, which can be presented in literary form, such as a poem or novel, in musical form, such as composition or lyric, or in visual form, such as in painting or drawing. It is also seen in scriptural passage. Allegory communicates its message by means ofsymbolic figures, actions or symbolic representation. Allegory is generally treated as a figure of rhetoric; a rhetorical allegory is a demonstrative form of representation conveying meaning other than the words that are spoken.
As a literary device, an allegory in its most general sense is an extended metaphor. As an artistic device, an allegory is a visual symbolic representation. An example of a simple visual allegory is the image of thegrim reaper. Viewers understand that the image of the grim reaper is a symbolic representation of death-----. wikipedia
it's the human ingeniousness which invents media to communicate abstract in more perceivable with all kinds of real life icons, images, experiences .
spirituality can be taught that way , a saint a seer , a enlightened soul coming down to the earth level, trying to share his findings in known lang and idiom .
parabrahma that is why takes a form , like teen moorthis, and creates the world of devi devathas , lokas higher and then lower to communicate own glory in countless ways, to countless levels of the souls highest to the lowest
First , direct flight, jet plane super fast, nonstop forward journey to the ultimate destination , without any kind of chain pulling, refueling, accidents, or chakkars in the sky, and reaching the lap of paramathma, in shortest time-----thru guru krupa----and then
on the return journey --oh, ah, ---what a great wonderous encounters---, pause here, no problem, skip no problem
And this return journey is the life of real enjoyment --all with body, senses, mind, subtle mind--
all the grossest to the subtlest creation at every station, every step, every moment , the stop overs are great, enjoyable, all a feast, all a festival
Here are the lokas, all the devathas, kinnera kimpurushas, gandharvas, rishis, apsarasas, all singing, dancing, ever care free,
talk to them, play with them see their dance listen to their song , acquire their boons enjoy their mahimas
Here comes the relevance of allegory
a kind of multi media performance, created by the ones who did the direct flight, and who paused at each station on the return journey
they created their darshanas, kaavyaas, prabhandas, romantics epics drama poetry song dance even drawings paintings pictures, sculptures, statues , moorthis, temples, gopuras, thheeraths, gardens, brindavans,
They all invited the higher beings to stay and live a midst our lives , in our bodies , in our minds , in our souls , in our living, in our cultures customs traditions, literature philosophies episodes , our sayings in our walk in our talk
And glorified the mundane into a happy heaven
but
caution
first nonstop direct flight is a must
if one stops on the way he lost his track, he lost his opportunity he lost his life.
distractions , confusion, chaos, meaninglessness, helplessness.
but the same stations , on the return journey is lovely enjoyment , bliss unending, all mastery no thing to worry or care
so this point to be noted by all serious souls
Inside Peshawar school: Torn notebooks, pools of blood and the stamp of Taliban brutality - Hindustan Times
the ruler is responsible for protecting the ruled ,
mere condemning the attack by ruler is no substitute for preventive steps,
lip sympathy cannot undo the damage done
what for are the prime ministers, home ministers , deference ministers??
is it only to dispose off the corpses ??
Paksheenaam Balam Aakaasam,
Matsyaanam Udakam Balam,
Durbalasya Balam Raaja,
Baalaanaam Rodanam Balam.
Sky is the strength for birds,
udakam (water) is the strength of fish,
king is the strength of the weak
and crying is the strength of kids.
has the ruler become so powerless, weak, deaf dumb blind and numb, a khat putli ?